Symphonies and Their Meaning; Third Series, Modern Symphonies by Philip H. Goepp
page 60 of 287 (20%)
page 60 of 287 (20%)
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_OMPHALE'S SPINNING WHEEL_ Between title and score is this _Notice_: "The subject of this symphonic poem is feminine witchery, the triumphant struggle of weakness. The spinning wheel is a mere pretext, chosen from the point of view of rhythm and the general atmosphere of the piece. "Those persons who might be interested in a study of the details of the picture, will see ... the hero groaning in the toils which he cannot break, and ... Omphale mocking the vain efforts of Hercules." The versions of the story differ slightly. After the fulfilment of his twelve labors Hercules is ordered by the oracle to a period of three years' service to expiate the killing of the son of King Eurytus in a fit of madness. Hermes placed him in the household of Omphale, queen of Lydia, widow of Tmolus. Hercules is degraded to female drudgery, is clothed in soft raiment and set to spin wool, while the queen assumes the lion skin and club. In another version he was sold as slave to Omphale, who restored him to freedom. Their passion was mutual. The story has a likeness to a similar episode of Achilles. The spinning-wheel begins _Andante_ in muted strings alternating with flutes and gradually hurries into a lively motion. Here the horn accents the spinning, while another thread (of higher wood) runs through the graceful woof. A chain of alluring harmonies preludes the ensnaring song, mainly of woodwind above the humming strings, with soft dotting of |
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