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Symphonies and Their Meaning; Third Series, Modern Symphonies by Philip H. Goepp
page 60 of 287 (20%)

_OMPHALE'S SPINNING WHEEL_

Between title and score is this _Notice_:

"The subject of this symphonic poem is feminine witchery, the triumphant
struggle of weakness. The spinning wheel is a mere pretext, chosen from
the point of view of rhythm and the general atmosphere of the piece.

"Those persons who might be interested in a study of the details of the
picture, will see ... the hero groaning in the toils which he cannot
break, and ... Omphale mocking the vain efforts of Hercules."

The versions of the story differ slightly. After the fulfilment of his
twelve labors Hercules is ordered by the oracle to a period of three
years' service to expiate the killing of the son of King Eurytus in a
fit of madness. Hermes placed him in the household of Omphale, queen of
Lydia, widow of Tmolus. Hercules is degraded to female drudgery, is
clothed in soft raiment and set to spin wool, while the queen assumes
the lion skin and club.

In another version he was sold as slave to Omphale, who restored him to
freedom. Their passion was mutual. The story has a likeness to a similar
episode of Achilles.

The spinning-wheel begins _Andante_ in muted strings alternating with
flutes and gradually hurries into a lively motion. Here the horn accents
the spinning, while another thread (of higher wood) runs through the
graceful woof. A chain of alluring harmonies preludes the ensnaring
song, mainly of woodwind above the humming strings, with soft dotting of
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