after-strain, which we might have remarked before. And still another
quarter, long hushed, is heard anew, as a voice sounds a faint reminder
of the hymn of the first Allegro. Indeed, the combining strains before
the close seem sprung all of one parental idea. The motto of the
beginning sings in fittest answer to the latest phrases. The very maze
of the concert forbids our turning to their first origin. The end is in
joyous chanting of the Finale melody.




CHAPTER VIII

D'INDY AND THE FOLLOWERS OF FRANCK


Perhaps the noblest essay in symphonic music of the followers of Franck
is the second symphony of Vincent D'Indy.[A] His vein is indeed
throughout nearest akin of all the disciples to the serious muse of the
master.

[Footnote A: Vincent d'Indy was born in Paris on March 27, 1852.]

Though D'Indy is surpassed in a certain poetic originality by some of
his compatriot contemporaries, there is in this symphony a breadth of
design and detail, a clear melodic quality and a sustained lofty feeling
that seem to mark it the typical French symphony of its time. The
strength of the work lies in a unity that is not merely of figure and
outline. If we must measure a symphony mainly by the slow movement, we
cannot avoid, with all the languorous beauty, a certain conventionality