The Morris Book, Part 1 - A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England by Cecil J. Sharp
page 22 of 94 (23%)
page 22 of 94 (23%)
![]() | ![]() |
|
accounts also of bells with four different tones. But nowadays certainly
the rule is that bells all of a kind are worn by all the dancers--latten bells, if that be still the correct name for the kind of bell to be found upon the harness that children use when they play at horses. The shin-pad that carries the bells varies to some extent in the details of its construction; the number of bells also varies. Sometimes the vertical strips and lateral ties of the pad are of ribbon or braid; maybe oftener of leather. Sometimes the bells are stitched upon the lateral ties, top and bottom; it is more usual, however, to fasten them on the perpendicular strips. The whole bell-pad is some seven inches square, and is worn midway between knee and ankle. Kimber, as will be seen (plate opposite), wears twelve bells on each leg, in three perpendicular rows of four each. HANDKERCHIEFS. Some dancers carry a white handkerchief--the middle finger thrust through a hole in one corner--in all their dances; we have, elsewhere, described the dances as we have seen them performed, with and without the handkerchief. [Illustration: MR. KIMBER, LEADER OF THE HEADINGTON MORRIS-MEN (1906)] STICKS. The stick, or staff, used in some dances, and the manner of using it, are described elsewhere. Sometimes a bunch of ribbons is tied to the butt; sometimes it is left unadorned. |
|