(and Rome is chiefly the city of the broken pediment) are the
opportunities of this vagrant garden in the air. One certain church,
that is full of attitude, can hardly be aware that a crimson snapdragon
of great stature and many stalks and blossoms is standing on its furthest
summit tiptoe against its sky. The cornice of another church in the fair
middle of Rome lifts out of the shadows of the streets a row of
accidental marigolds. Impartial to the antique, the mediaeval, the
Renaissance early and late, the newer modern, this wild summer finds its
account in travertine and tufa, reticulated work, brick, stucco and
stone. "A bird of the air carries the matter," or the last sea-wind,
sombre and soft, or the latest tramontana, gold and blue, has lodged in a
little fertile dust the wild grass, wild wheat, wild oats!

If Venus had her runaway, after whom the Elizabethans raised hue and cry,
this is Ceres'. The municipal authorities, hot-foot, cannot catch it.
And, worse than all, if they pause, dismayed, to mark the flight of the
agile fugitive safe on the arc of a flying buttress, or taking the place
of the fallen mosaics and coloured tiles of a twelfth-century tower, and
in any case inaccessible, the grass grows under their discomfited feet.
It actually casts a flush of green over their city _piazza_--the wide
light-grey pavements so vast that to keep them weeded would need an army
of workers. That army has not been employed; and grass grows in a small
way, but still beautifully, in the wide space around which the tramway
circles. Perhaps a hatred of its delightful presence is what chiefly
prompts the civic government in Rome to the effort to turn the _piazza_
into a square. The shrub is to take the place not so much of the
pavement as of the importunate grass. For it is hard to be beaten--and
the weed does so prevail, is so small, and so dominant! The sun takes
its part, and one might almost imagine a sensitive Municipality in tears,
to see grass running, overhead and underfoot, through the "third" (which