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Punch, or the London Charivari, Volume 100, January 10, 1891 by Various
page 13 of 42 (30%)
had I at an early age seen these skeletons which pervade the piece,
and of whom two become elongated ghosts, I should have lain awake o'
nights, seen horrible reproductions on the wall by the glimmer of the
fire-light (spectral rush-lights were used when I was a small boy),
screamed for help, and perhaps given my own private and practical
version of the Ghost Scene in _Richard the Third_ by _not_ leaping out
of bed and shouting, "Give me another horse!" (there was only one in
the nursery, and that was a towel-horse), but by putting my head under
the bed-clothes and shivering with fear till my nurse returned from
her supper. Such on me, your present brave First Commissioner of
Theatres, was the effect of merely seeing the interior of the _Blue
Chamber_ in _Skelt's Scenes and Characters_, with which I used to
furnish my small theatre on the nursery table.

[Illustration: Troubled Trots.]

Well, this is all private and personal, and not much about the Drury
Lane Pantomime, it is true; but, as everyone will see "The Only
Pantomime" (we have reached the era of the "Onlys"), and be only too
delighted, what need I say more than that the _libretto_ is written by
Mr. BILL-OF-THE-PLAY YARDLEY conjointly with Mr. DRURIOLANUS AUCTOR,
and I daresay it was very witty and rhythmical and poetical, though I
didn't catch much of it, and the songs were neither particularly well
sung, nor remarkably humorous,--one, introduced by Miss VESTA TILLY
(and, therefore, for this our joint authors are not responsible,
except for permitting it to be done), being a distinct mistake, and
utterly out of character with the part of the _Prince_, as written,
which she was representing. And, _à propos_ of songs, the music of
this Pantomime lacks "go." WAGNER borrowed from pantomime his notion
of dramatic music to carry on the action and tell the story of serious
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