Early Israel and the Surrounding Nations by Archibald Henry Sayce
page 46 of 275 (16%)
page 46 of 275 (16%)
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The Amorites, however, though they were the dominant people of Syria, were not its original inhabitants; nor, it is probable, did they even form the largest part of its population. They were essentially the inhabitants of the mountains, as we are told in the Book of Numbers (xiii. 29), and appear to have come from the west. We have learnt a good deal about them from the Egyptian monuments, where the "Amurru" or Amorites are depicted with that fidelity to nature which characterised the art of ancient Egypt. They belonged to the white race, and, like other members of the white race, were tall in stature and impatient of the damp heat of the plains. Their beard and eye-brows are painted red, their hair a light red-brown, while their eyes are blue. The skin is a sunburnt white, the nose straight and regular, the forehead high, and the lips thin. They wore whiskers and a pointed beard, and dressed in long robes furnished with a sort of cape. Their physical characteristics are those of the Libyan neighbours of the Egyptians on the west, the forefathers of the fair-skinned and blue-eyed Kabyles or Berbers who inhabit the mountains of northern Africa to-day. Anthropologists connect these Libyans with the Kelts of our own islands. At one time, it would seem, a Kelto-Libyan race existed, which spread along the northern coast of Africa to western Europe and the British Isles. The Amorites would appear to have been an eastern offshoot of the same race. Wherever they went, the members of the race buried their dead in rude stone cairns or cromlechs, the dolmens of the French antiquarians. We find them in Britain and France, in the Spanish peninsula, and the north of Africa. They are also found in Palestine, more especially in that portion of it which was the home of the Amorites. The skulls found in the cairns are for the most part of the dolichocephalic or long-headed type; this too is the shape of skull characteristic of the modern |
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