libraries found by the Arabs at Bersippa and Babylon, at Sippara and
Larsa. The Babylonia of the age of Amraphel, the contemporary of
Abraham, has, thanks to the recent finds, become as well known to us as
the Athens of Periklês; the daily life of the people can be traced in
all its outlines, and we even possess the autograph letters written by
Amraphel himself. The culture and civilisation of Babylonia were already
immensely old. The contracts for the lease and sale of houses or other
estate, the documents relating to the property of women, the reports of
the law cases that were tried before the official judges, all set before
us a state of society which changed but little down to the Persian era.
Behind it lie centuries of slow development and progress in the arts of
life. The age of Amraphel, indeed, is in certain respects an age of
decline. The heyday of Babylonian art lay nearly two thousand years
before it, in the epoch of Sargon and his son Naram-Sin. It was then
that the Babylonian empire was established throughout western Asia as
far as the Mediterranean, that a postal service was organised along the
highroads which led from one city of the empire to another, and that
Babylonian art reached its climax. It was then, too, that the Babylonian
system of writing practically took its final form.

The civilisation of western Asia is, as has been said, immensely old.
That is the net result of modern discovery and research. As far back as
excavation can carry us there is still culture and art. We look in vain
for the beginnings of civilised life. Even the pictures out of which the
written systems of the ancient East were developed belong to a past of
which we have but glimpses. Of savagery or barbarism on the banks of the
lower Euphrates there is not a trace. So far as our materials enable us
to judge, civilised man existed from the beginning in "the land of
Shinar." The great temples of Babylonia were already erected, the
overflow of the rivers controlled, and written characters imprinted on