Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini by George Henry Boker
page 4 of 200 (02%)
page 4 of 200 (02%)
|
during his diplomatic years, but which he threw over for the stronger
pull of poetry, whose Muse he could court without the necessity of driving it hard for support. Yet he was concerned about literature as a paying profession for others. On April 26, 1851, he wrote to Stoddard: "Alas! alas! Dick, is it not sad that an American author cannot live by magazine writing? And this is wholly owing to the want of our international copyright law. Of course it is little to me whether magazine writers get paid or not; but it is so much to you, and to a thousand others." The time, until 1847, was spent in foreign travel, but it is interesting to note, as indication of no mean literary attainment in the interim, that Princeton, during this period, bestowed on him the degree of M.A., for merit in letters. 1848 was a red-letter year for Boker. It witnessed the publication of his first volume of verse, "The Lessons of Life, and other Poems," and it introduced him to Bayard Taylor and to R.H. Stoddard. Of the occasion, Taylor writes on October 13, to Mary Agnew: Young Boker, author of the tragedy, "Calaynos," a most remarkable work, is here on a visit, and spent several hours to-night with me. He is another hero,--a most notable, glorious mortal! He is one of our band, and is, I think, destined to high renown as an author. He is nearly my own age, perhaps a year or two older, and he has lived through the same sensations, fought the same fight, and now stands up with the same defiant spirit. This friendship was one of excellent spiritual sympathy and remarkable external similarities and contrasts. One authority has written of their late years: |
|