"A hag sits eastward in Ironwood and rears Fenri's children; one of
them all, in troll's shape, shall be the sun's destroyer. He shall
feed on the lives of death-doomed men; with red blood he shall redden
the seat of the Gods. The sunshine shall grow black, all winds will
be unfriendly in the after-summers.... I see further in the future
the great Ragnarök of the Gods of Victory.... Heimdal blows loudly,
the horn is on high; Yggdrasil's ash trembles as it stands, the old
tree groans."

The following lines tell of the fire-giants and the various combats,
and the last section of the poem deals with a new world when Baldr,
Höd and Hoeni are to come back to the dwelling-place of the Gods.

The whole points to a belief in the early destruction of the world
and the passing away of the old order of things. Whether the new
world which _Vafthrudnismal_ and _Völuspa_ both prophesy belongs to
the original idea or not is a disputed point. Probably it does not;
at all events, none of the old Aesir, according to the poems, are
to survive, for Modi and Magni are not really Gods at all, Baldr,
Höd and Vali belong to another myth, Hoeni had passed out of the
hierarchy by his exchange with Njörd, and Vidar's origin is obscure.

* * * * *

_The Einherjar_, the great champions or chosen warriors, are intimately
connected with Ragnarök. All warriors who fall in battle are taken
to Odin's hall of the slain, Valhalla. According to _Grimnismal_,
he "chooses every day men dead by the sword"; his Valkyries ride
to battle to give the victory and bring in the fallen. Hence Odin