to truth to insist on bringing to light the fact that they also had
lower selves--common, dull, it may be vicious. What illustrates their
genius and enhances our respect for their character, may rightly be
made known; but what shakes our belief and mars our enjoyment in them,
is simply better left in obscurity.

With regard to Mrs. Browning, however, there is no room for doubt
upon these points. These letters, familiarly written to her private
friends, without the smallest idea of publication, treating of the
thoughts that came uppermost in the ordinary language of conversation,
can lay no claim to make a new revelation of her genius. On the other
hand, perhaps because the circumstances of Mrs. Browning's life
cut her off to an unusual extent from personal intercourse with her
friends, and threw her back upon letter-writing as her principal means
of communication with them, they contain an unusually full revelation
of her character. And this is not wholly unconnected with her literary
genius, since her personal convictions, her moral character, entered
more fully than is often the case into the composition of her poetry.
Her best poetry is that which is most full of her personal emotions.
The 'Sonnets from the Portuguese,' the 'Cry of the Children,'
'Cowper's Grave,' the 'Dead Pan,' 'Aurora Leigh,' and all the Italian
poems, owe their value to the pure and earnest character, the strong
love of truth and right, the enthusiasm on behalf of what is oppressed
and the indignation against all kinds of oppression and wrong, which
were prominent elements in a personality of exceptional worth and
beauty.

An editor can generally serve his readers best by remaining in the
background; but he is allowed one moment for the expression of his
personal feelings, when he thanks those who have assisted him in his