the boatmen to be silent, and to stifle the sound of their oars, from
which the drops came trickling back into the lake like a musical
accompaniment of silvery notes. She sang a Scotch ballad, half naval
and half pastoral, in which a young girl, whose sailor lover has left
her to seek wealth beyond the seas, relates how her parents, wearied of
waiting his return, had induced her to marry an old man, with whom she
might have been happy, but for the remembrance of her early love. The
ballad begins thus:

"When the sheep are in the fauld and the ky at hame,
And a' the weary warld to rest are gane,
The waes of my heart fa' in showers frae my e'e,
While my gude-man lies sound by me."


After each verse there is a long revery, sung in vague notes, without
words, which lulls the heart with unspeakable melancholy, and brings
tears into the eyes and voice. Each succeeding verse takes up the story
in the dull and distant tone of memory, weeping, regretting, yet
resigned. If the Greek strophes of Sappho are the very fire of love,
these Scotch notes are the very life's blood and tears of a heart
stricken to death by Fate. I know not who wrote the music, but whoever
he may be, thanks be to him for having found in a few notes, and in the
mournful melody of a voice, the expression of infinite human sadness. I
have never since then heard the first measures of that air without
flying from it as one pursued by a spirit; and when I wish to soften my
heart by a tear, I sing within myself the plaintive burden of that
song, and feel ready to weep,--I, who never weep!