THE OUTLINE WHICH HAS BEEN ACCEPTED AS
THE BASIS OF PHOTOPLAY CRITICISM IN
AMERICA, BOTH IN THE STUDIOS OF THE
LOS ANGELES REGION, AND ALL THE SERIOUS
CRITICISM WHICH HAS APPEARED IN THE
DAILY PRESS AND THE MAGAZINES

CHAPTER

I. THE POINT OF VIEW

II. THE PHOTOPLAY OF ACTION

III. THE INTIMATE PHOTOPLAY

IV. THE MOTION PICTURE OF FAIRY SPLENDOR

V. THE PICTURE OF CROWD SPLENDOR

VI. THE PICTURE OF PATRIOTIC SPLENDOR

VII. THE PICTURE OF RELIGIOUS SPLENDOR

VIII. SCULPTURE-IN-MOTION

IX. PAINTING-IN-MOTION

X. FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION

XI. ARCHITECTURE-IN-MOTION