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Indian Games and Dances with Native Songs by Alice C. (Alice Cunningham) Fletcher
page 13 of 123 (10%)
the North; Cartier, in 1534, found it growing where the city of Montreal
now stands.

From this hasty glance at the long history of the maize we can discern the
natural sequence of its close relation to the thought and to the life of
the Indian, and to a degree understand the love and the reverence with
which the corn was held and regarded as a gift from God. Every stage of its
growth was ceremonially observed and mentioned in rituals and songs.

Among the Omaha tribe when the time came for planting, four kernels from a
red ear of corn were given to each family by the keeper of this sacred
rite. These four red kernels were mixed with the ordinary seed corn, that
it might be vivified by them and made to yield an ample harvest. Red is the
symbolic color of life. In this ceremony is preserved a trace of the
far-away time when all the precious seed corn was in the care of priestly
keepers. The ceremony of giving out the four red kernels served to turn the
thoughts of the people from a dependence solely on their own labor in
cultivating corn to the life-giving power of Wakon'da dwelling within the
maize.

In the Omaha Ritual Song of twenty-six stanzas which preceded the
distribution of the four red kernels, the Corn speaks. It tells of its
roots reaching in the four directions (where dwell the messengers that
bring life), of the growth of its jointed stalk, of the unfolding of its
leaves, of the changing color of the silk and of the tassel, of the
ripening of the fruit, of the bidding of the people to come, to pluck and
to eat.

The music of this Ritual Song is simple. It is here given with a very brief
paraphrase of the words of the Ritual Song.
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