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Indian Games and Dances with Native Songs by Alice C. (Alice Cunningham) Fletcher
page 30 of 123 (24%)
action for the last stanza should indicate an abandonment to delight; hoes
should be dropped as the groups mingle and act out pleasure not only at
what is seen but what is promised.

A pause should follow, then the hoes should be picked up and the dancers
gather by twos and threes in a line to return home; as they start they
break into the same song which they sang on the return from making and
planting the little hills:

[Music]

The dancers should keep up the song and rhythmic dance until their
individual tents are reached.


DANCE IV

INTRODUCTORY NOTE.--This dance, taken from the Corn Ritual, represents a
visit to the field later in the season when the harvest time is near at
hand. The keynote of this visit is in a line of one of the many stanzas of
the original Ritual Song, "I go in readiness of mind." The mind is assured,
prepared to find in the place where the "footprints" had been made, where
the little kernels had broken the covering of earth to reach "the light of
day," that these have now grown tall and strong under the summer sun and
are "standing in the fulness of day." This assurance is justified, for the
corn is found ready to pluck, and some of its ears are joyously carried to
the people at home.

_Properties_.--The same costumes as those worn by the boys and girls in
Dance II and III. The green scarfs used in Dance I will be needed in the
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