The Rowley Poems by Thomas Chatterton
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page 11 of 413 (02%)
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can only conclude, this explanation was disproved or disbelieved, he
announced that the account was copied from a manuscript his father had taken from Rowley's chest. And this explanation was considered perfectly satisfactory. Yet it seemed obvious that the antiquaries would demand to see the manuscript, and Chatterton, contrary to his usual practice of secrecy, called upon his friend Rudhall and, having made him promise to tell nothing of what he should show him, took a piece of parchment 'about the size of a half sheet of foolscap paper,' wrote on it in a character which the other did not understand, for it was 'totally unlike English,' and finally held what he had written over a candle to give it the 'appearance of antiquity,' which it did by changing the colour of the ink and making the parchment appear 'black and a little contracted.' Rudhall, who kept his secret till 1779 (when he bartered it for £10, to be given to the poet's mother, at that time in great poverty), believed that no one was shown or asked to see this document. Why, it is impossible to say. The present volume contains a reproduction[2] in black and white of the original MS. of Chatterton's '_Accounte of W. Canynges Feast_'. This was written in red ink. The parchment is stained with brown, except one corner, and the first line written in a legal texting hand. The ageing of his manuscript of the _Vita Burtoni_, to take a further instance, was effected by smearing the middle of it with glue or varnish. This document was also written partly in an attorney's regular engrossing[3] hand. During the next four years Chatterton 'transcribed' a great quantity of ancient documents, including _Ælla, a Tragycal Enterlude_--far the finest of the longer Rowleian poems--the _Songe to Ælla_ and _The Bristowe Tragedy_ (the authorship |
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