were especially associated. These had contained deeds and papers
dealing with parochial matters and the affairs of the Church, but some
years before Chatterton's birth the Vestry had determined to examine
these documents, some of which may have been as old as the building
itself. The keys had in the course of time been lost, and the
vestrymen accordingly broke open the chests and removed to another
place what they thought of value, leaving Canynge's Coffer and its
fellows gutted and open but by no means void of all their ancient
contents. Such parchments as remained Chatterton's father carried
away, whole armfuls at a time, using some to cover his scholars' books
and giving others to his wife, who made them into thread-papers and
dress patterns.

In the house to which Mrs. Chatterton had moved upon her husband's
death there was still a sufficient number of these old manuscripts to
make a considerable trove for the boy who, then nine or ten years old,
had first learnt to read in black-letter and was in a few years to
produce poetry which should pass for fifteenth century with many
well-reputed antiquaries. It was no doubt on blank pieces of these
parchments that he inscribed the matter of the few Rowley documents
which he ever showed for originals. We have the account of a certain
Thistlethwaite, one of the 'solid lads' with whom Chatterton had made
friends at school, that his friend Thomas in the summer of 1764
told him 'he was in possession of some old MSS. which had been found
deposited in a chest in Redcliffe Church, and that he had lent some or
one of them to Thomas Phillips'--an usher at Colston's, an earnest
and thoughtful man fond of poetry, and a great friend of Chatterton's.
'Within a day or two after this,' (Thistlethwaite wrote to Dean
Milles,) 'I saw Phillips ... who produced a MS. on parchment or vellum
which I am confident was "Elenoure and Juga"[1] a kind of pastoral