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The Idler in France by Countess of Marguerite Blessington
page 67 of 352 (19%)
how few young men of fashion could this be said! But I am persuaded
that Count Charles de Mornay is made to be something better than a mere
man of fashion.

Spent all the morning in the Hôtel Ney, superintending the placing of
the furniture. There is nothing so like the magicians we read of as
Parisian upholsterers; for no sooner have they entered a house, than,
as if touched by the hand of the enchanter, it assumes a totally
different aspect. I could hardly believe my eyes when I entered our new
dwelling, to-day.

Already were the carpets--and such carpets, too--laid down on the
_salons_; the curtains were hung; _consoles_, sofas, tables, and chairs
placed, and lustres suspended. In short, the rooms looked perfectly
habitable.

The principal drawing-room has a carpet of dark crimson with a
gold-coloured border, on which is a wreath of flowers that looks as if
newly culled from the garden, so rich, varied, and bright are their
hues. The curtains are of crimson satin, with embossed borders of
gold-colour; and the sofas, _bergères, fauteuils_, and chairs, richly
carved and gilt, are covered with satin to correspond with the
curtains.

Gilt _consoles_, and _chiffonnières_, with white marble tops, are
placed wherever they could be disposed; and, on the chimney pieces, are
fine _pendules_.

The next drawing-room, which I have appropriated as my sitting-room, is
furnished with blue satin, with rich white flowers. It has a carpet of
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