The Easiest Way - Representative Plays by American Dramatists: 1856-1911 by Eugene Walter
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page 14 of 180 (07%)
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pocketbook gives _entrée_, and the rules of conventionality have
never even been whispered. His love affairs, confined to this class of women, have seldom lasted more than a week or ten days. His editors know him as a brilliant genius, irresponsible, unreliable, but at times inestimably valuable. He cares little for personal appearance beyond a certain degree of neatness. He is quick on the trigger, and in a time of over-heated argument can go some distance with his fists; in fact, his whole career is best described as "happy-go-lucky." He realizes fully his ability to do almost anything fairly well, and some things especially well, but he has never tried to accomplish anything beyond the earning of a comfortable living. Twenty-five or thirty dollars a week was all he needed. With that he could buy his liquor, treat his women, sometimes play a little faro, sit up all night and sleep all day, and in general lead the life of good-natured vagabondage which has always pleased him and which he had chosen as a career. The objection of safer and saner friends to this form of livelihood was always met by him with a slap on the back and a laugh. "Don't you worry about me, partner; if I'm going to hell I'm going there with bells on," was always his rejoinder; and yet, when called upon to cover some great big news story, or report some vital event, he settled down to his work with a steely determination and a grim joy that resulted in work which classified him as a genius. Any great mental effort of this character, any unusual achievement along these lines, would be immediately followed by a protracted debauch that would upset him physically and mentally for weeks at a time, but he always recovered and landed on his feet, and with the same laugh and smile again went at his work. |
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