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The Easiest Way - Representative Plays by American Dramatists: 1856-1911 by Eugene Walter
page 14 of 180 (07%)
pocketbook gives _entrée_, and the rules of conventionality have
never even been whispered. His love affairs, confined to this class
of women, have seldom lasted more than a week or ten days. His editors
know him as a brilliant genius, irresponsible, unreliable, but at
times inestimably valuable. He cares little for personal appearance
beyond a certain degree of neatness. He is quick on the trigger, and
in a time of over-heated argument can go some distance with his fists;
in fact, his whole career is best described as "happy-go-lucky."

He realizes fully his ability to do almost anything fairly well, and
some things especially well, but he has never tried to accomplish
anything beyond the earning of a comfortable living. Twenty-five or
thirty dollars a week was all he needed. With that he could buy his
liquor, treat his women, sometimes play a little faro, sit up all
night and sleep all day, and in general lead the life of good-natured
vagabondage which has always pleased him and which he had chosen as a
career.

The objection of safer and saner friends to this form of livelihood
was always met by him with a slap on the back and a laugh. "Don't you
worry about me, partner; if I'm going to hell I'm going there with
bells on," was always his rejoinder; and yet, when called upon to
cover some great big news story, or report some vital event, he
settled down to his work with a steely determination and a grim joy
that resulted in work which classified him as a genius. Any great
mental effort of this character, any unusual achievement along these
lines, would be immediately followed by a protracted debauch that
would upset him physically and mentally for weeks at a time, but he
always recovered and landed on his feet, and with the same laugh and
smile again went at his work.
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