ladies of the court: the sons, while still young, are sent to
different religious fraternities; and the daughters, on attaining a
suitable age, are bestowed in marriage on the nobles of the country,
except the eldest, who is appointed chief priestess of the temple of
the Sun at Issie, which contains the shrine of Ten-zio-dai-zin, to
which all Japanese are supposed to make a pilgrimage once in their
lifetime.

The Mikado is said to spend the greatest portion of his time in the
society of his wives, who contribute to his amusement by singing,
dancing, and theatrical entertainments. The latter sometimes take
place in the open air, as in the scene depicted opposite; on which the
'Grand Interior' and a select party are supposed to be looking down
through the jalousies of the palace. The vocal, instrumental, and
theatrical talents of the performers, are here called into play, the
arena for the latter being the 'Mekoshee,' or movable stage, in which
a female figure may be noticed declaiming her part. The long-handled,
fantastically-coloured umbrellas, belong to the Imperial attendants
taking part in the theatricals, whose hair, it will be noticed, is
arranged according to court etiquette.

[Illustration: A Begging Criminal. (Native Drawing.)]

The men whose features are concealed by their broad hats are
'Ninsokee,' or 'public singers.' Generally speaking they belong to the
aristocratic class, and are reduced to earn their livelihood in this
manner in consequence of some misdemeanour, on account of which their
property has been forfeited to the state. Their occupation is in
itself a punishment, as Japanese gentlemen never sing, regarding that
accomplishment as derogatory to their dignity. A certain class of