that no accidents arise from overcrowding. For this purpose they are
provided with a box that overlooks the whole building.

The lofty scaffolding outside the enclosure is a time stage, from
which the commencement and duration of each match are intimated to the
audience by a certain number of strokes on the drum that surmounts it.

[Illustration: PUBLIC WRESTLING IN THE GREAT AMPHITHEATRE AT VEDDO.]

Before each wrestling-match commences, the 'geogee,' or 'judge,' who
superintends it, shouts out the names and exploits of the contenders,
who, after kowtowing very ceremoniously to one another, rise to the
preliminary attitude.

At a signal from the judge the combatants commence. At first they move
cautiously about the centre of the ring, watching a favourable
opportunity to close, which they presently do with deep guttural
exclamations. Then great working of muscle and tugging and straining
follow, the spectators cheering on their respective favourites, until
the fall of the geogee's fan--which is the moment depicted by the
artist--proclaims the victor.

Thundering plaudits greet the hero of the occasion, who presently
strolls about among the assembled multitude, attended by his 'coegi,'
or 'servant,' who collects the offerings with which they liberally
reward his exertions. When money fails, articles of clothing are
frequently bestowed--and sometimes too freely, as it is by no means
unusual for both sexes to half denude themselves at these exhibitions;
and it is a favourite joke with the women to send their male friends
to redeem the articles from the wrestler.