Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843 by Various
page 101 of 336 (30%)
page 101 of 336 (30%)
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Du Piles is justly censured for his recipe of grace and dignity. "If,"
says he, "you draw persons of high character and dignity, they ought to be drawn in such an attitude that the portraits must seem to speak to us of themselves, and as it were to say to us, 'Stop, take notice of me--I am the invincible king, surrounded by majesty.' 'I am the valiant commander who struck terror every where,' 'I am that great minister, who knew all the springs of politics.' 'I am that magistrate of consummate wisdom and probity.'" This is indeed affectation, and a very vulgar notion of greatness. We are reminded of Partridge, and his admiration of the overacting king. All the characters in thus seeming to say, would be little indeed. Not so Raffaelle and Titian understood grace and dignity. Simplicity he holds to be "our barrier against that great enemy to truth and nature, affectation, which is ever clinging to the pencil, and ready to drop and poison every thing it touches." Yet that, "when so very inartificial as to seem to evade the difficulties of art, is a very suspicious virtue." Sir Joshua dwells much upon this, because he thinks there is a perpetual tendency in young artists to run into affectation, and that from the very terms of the precepts offered them. "When a young artist is first told that his composition and his attitudes must be contrasted; that he must turn the head contrary to the position of the body, in order to produce grace and animation; that his outline must be undulating and swelling, to give grandeur; and that the eye must be gratified with a variety of colours; when he is told this with certain animating words of spirit, dignity, energy, greatness of style, and brilliancy of tints, he becomes suddenly vain of his newly-acquired knowledge, and never thinks he can carry those rules too far. It is then that the aid of simplicity ought to be called in to correct the exuberance of youthful ardour." We may add that hereby, too, is shown the danger of particular and practical rules; very few of the kind are to be found in the "Discourses." Indeed the President points out, by |
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