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Blackwood's Edinburgh Magazine — Volume 53, No. 328, February, 1843 by Various
page 116 of 336 (34%)
light and shade. The drawing gives the form, the colour its visible
quality, and the light and shade its solidity:" in every one of these
the habit of seeing as a whole must be acquired. From this habit arises
the power of imitating by "dexterous methods." He proceeds to show that
the fame of the greatest painters does not rest upon their high finish.
Raffaelle and Titian, one in drawing the other in colour, by no means
finished highly; but acquired by their genius an expressive execution.
Most of his subsequent remarks are upon practice in execution and
colour, in contradistinction to elaborate finish. Vasari calls Titian,
"giudicioso, bello, e stupendo," with regard to this power. He
generalized by colour, and by execution. "In his colouring, he was large
and general." By these epithets, we think Sir Joshua has admitted that
the great style comprehends colouring. "Whether it is the human figure,
an animal, or even inanimate objects, there is nothing, however
unpromising in appearance, but may be raised into dignity, convey
sentiment, and produce emotion, in the hands of a painter of genius." He
condemns that high finish which softens off. "This extreme softening,
instead of producing the effect of softness, gives the appearance of
ivory, or some other hard substance, highly polished. The value set upon
drawings, such as of Coreggio and Parmegiano, which are but slight, show
how much satisfaction can be given without high finishing, or minute
attention to particulars. "I wish you to bear in mind, that when I speak
of a whole, I do not mean simply _a whole_ as belonging to composition,
but _a whole_ with respect to the general style of colouring; _a whole_
with regard to light and shade; and _a whole_ of every thing which may
separately become the main object of a painter. He speaks of a landscape
painter in Rome, who endeavoured to represent every individual leaf upon
a tree; a few happy touches would have given a more true resemblance.
There is always a largeness and a freedom in happy execution, that
finish can never attain. Sir Joshua says above, that even "unpromising"
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