Twenty-One Days in India; and, the Teapot Series by George Robert Aberigh-Mackay
page 58 of 171 (33%)
page 58 of 171 (33%)
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about him. He establishes himself firmly in the land with great joy
and plenty; and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopæan Raphaelite has poured his rainbows from a fire-engine of a hundred elephant-power. We paltry officials live meanly in pen-and-ink sketches. Our little life is bounded by a dream of promotion and pension. We toil, we slave; we put by money, we pinch ourselves. We are hardly fit to live in this beautiful world, with its laughing girls and grapes, its summer seas, its sunshine and flowers, its Garnet Wolseleys and bulbuls. We go moping through its glories in green spectacles, befouling it with our loathsome statistics and reports. The sweet air of heaven, the blue firmament, and the everlasting hills do not satisfy our poisoned hearts; so we make to ourselves a little tin-pot world of blotted-paper, debased rupees, graded lists, and tinsel honours; we try to feed our lungs on its typhoidal effluvia. Aroint[T] thee, Comptroller and Accountant-General with all thy grisly crew! Thou art worse than the blind Fury with the abhorred shears; for thou slittest my thin-spun pay-wearing spectacles, thrice branded varlet! [There is a lily on my brow with anguish moist and fever-dew, and on my cheeks a fading rose fast withereth too, and for these emblems of woe thou shalt have to give an answer.] Dear Vanity, of course you understand that I do not allude to the amiable old gentleman who controls our Accounts Department, who is the mirror of tenderness. The person I would impale is a creation of my own wrath, a mere official type struck in frenzied fancy, [at a moment |
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