Twenty-One Days in India; and, the Teapot Series by George Robert Aberigh-Mackay
page 8 of 171 (04%)
page 8 of 171 (04%)
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Viceroy; that, in fact, India was the plant and the Viceroy the
flower. I have often thought of writing a hymn on the Beauty of Viceroys; and have repeatedly attuned my mind to the subject; but my inability to express myself in figurative language, and my total ignorance of everything pertaining to metre, rhythm, and rhyme, make me rather hesitate to employ verse. Certainly, the subject is inviting, and I am surprised that no singer has arisen. How can any one view the Viceroyal halo of scarlet domestics, with all the bravery of coronets, supporters, and shields in golden embroidery and lace, without emotion! How can the tons of gold and silver plate that once belonged to John Company, Bahadur, and that now repose on the groaning board of the Great Ornamental, amid a glory of Himalayan flowers, or blossoms from Eden's fields of asphodel, be reflected upon the eye's retina without producing positive thrills and vibrations of joy (that cannot be measured in terms of _ohm_ or _farad_) shooting up and down the spinal cord and into the most hidden seats of pleasure! I certainly can never see the luxurious bloom of the silver sticks arranged in careless groups about the vast portals without a feeling approaching to awe and worship, and a tendency to fling small coin about with a fine mediƦval profusion. I certainly can never drain those profound golden cauldrons seething with champagne without a tendency to break into loud expressions of the inward music and conviviality that simmer in my soul. Salutes of cannon, galloping escorts, processions of landaus, beautiful teams of English horses, trains of private saloon carriages (cooled with water trickling over sweet jungle grasses) streaming through the sunny land, expectant crowds of beauty with hungry eyes making a delirious welcome at every stage, the whole country blooming into dance and banquet and fresh girls at every step |
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