smart effect; the merchant's tempting display often leads to theft, and
the immodest dress of women produces an evil effect upon the mind of the
overstimulated adolescent boy; opportunities to elude observation and to
deceive one's parents abound; social control weakens; ideals become
neurotic, flashy, distorted; the light and allurement of the street
encourage late hours; the posters and "barkers" of cheap shows often
appeal to illicit curiosity, and the galaxy of apparent fun and
adventure is such as to tax to the full the wholesome and restraining
influence of even the best home.

The cheap show is an adjunct of the street and a potent educational
factor in the training of the city lad. These motion-picture shows have
an estimated daily patronage in the United States of two and a quarter
millions, and in Chicago 32,000 children will be found in them daily.
Many of these children are helplessly open to suggestion, owing to
malnutrition and the nervous strain which the city imposes; and harmful
impressions received in this vivid way late at night cannot be resisted.
At one time, after a set of pictures had been given on the West Side
which depicted the hero as a burglar, thirteen boys were brought into
court, all of whom had in their possession housebreakers' tools, and all
stated they had invested in these tools because they had seen these
pictures and they were anxious to become gentlemanly burglars.[4]
Through censorship bureaus, national and municipal, the character of the
films put on exhibition is being greatly improved, and the moving
picture is destined to a large use by educational and religious
agencies.

Many instances of valuable moving-picture exhibits come to mind,
including those on travel, nature-study, the passion play, athletic
sports, sanitation (especially the exhibits showing the breeding and