reconstructed past worlds from a few bleached bones; has rebuilt
cities, like Cadmus, with monsters' teeth; has animated forests with
all the secrets of zoology gleaned from a piece of coal; has
discovered a giant population from the footprints of a mammoth. These
forms stand erect, grow large, and fill regions commensurate with
their giant size. He treats figures like a poet; a naught set beside a
seven by him produces awe.

He can call up nothingness before you without the phrases of a
charlatan. He searches a lump of gypsum, finds an impression in it,
says to you, "Behold!" All at once marble takes an animal shape, the
dead come to life, the history of the world is laid open before you.
After countless dynasties of giant creatures, races of fish and clans
of mollusks, the race of man appears at last as the degenerate copy of
a splendid model, which the Creator has perchance destroyed.
Emboldened by his gaze into the past, this petty race, children of
yesterday, can overstep chaos, can raise a psalm without end, and
outline for themselves the story of the Universe in an Apocalypse that
reveals the past. After the tremendous resurrection that took place at
the voice of this man, the little drop in the nameless Infinite,
common to all spheres, that is ours to use, and that we call Time,
seems to us a pitiable moment of life. We ask ourselves the purpose of
our triumphs, our hatreds, our loves, overwhelmed as we are by the
destruction of so many past universes, and whether it is worth while
to accept the pain of life in order that hereafter we may become an
intangible speck. Then we remain as if dead, completely torn away from
the present till the _valet de chambre_ comes in and says, "_Madame la
comtesse_ answers that she is expecting _monsieur_."

All the wonders which had brought the known world before the young