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Emerson and Other Essays by John Jay Chapman
page 32 of 162 (19%)

It was a thought of genius that led him to write Representative Men. The
scheme of this book gave play to every illumination of his mind, and it
pinned him down to the objective, to the field of vision under his
microscope. The table of contents of Representative Men is the dial of
his education. It is as follows: Uses of Great Men; Plato, or The
Philosopher; Plato, New Readings; Swedenborg, or The Mystic; Montaigne,
or The Sceptic; Shakespeare, or The Poet; Napoleon, or The Man of the
World; Goethe, or The Writer. The predominance of the writers over all
other types of men is not cited to show Emerson's interest in The
Writer, for we know his interest centred in the practical man,--even his
ideal scholar is a practical man,--but to show the sources of his
illustration. Emerson's library was the old-fashioned gentleman's
library. His mines of thought were the world's classics. This is one
reason why he so quickly gained an international currency. His very
subjects in Representative Men are of universal interest, and he is
limited only by certain inevitable local conditions. Representative Men
is thought by many persons to be his best book. It is certainly filled
with the strokes of a master. There exists no more profound criticism
than Emerson's analysis of Goethe and of Napoleon, by both of whom he
was at once fascinated and repelled.


II


The attitude of Emerson's mind toward reformers results so logically
from his philosophy that it is easily understood. He saw in them people
who sought something as a panacea or as an end in itself. To speak
strictly and not irreverently, he had his own panacea,--the development
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