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Emerson and Other Essays by John Jay Chapman
page 59 of 162 (36%)

He himself has very well described the impression his verse is apt to
make on a new reader when he says,--

"Poetry must not freeze, but flow."

The lovers of Emerson's poems freely acknowledge all these defects, but
find in them another element, very subtle and rare, very refined and
elusive, if not altogether unique. This is the mystical element or
strain which qualifies many of his poems, and to which some of them are
wholly devoted.

There has been so much discussion as to Emerson's relation to the
mystics that it is well here to turn aside for a moment and consider
the matter by itself. The elusiveness of "mysticism" arises out of the
fact that it is not a creed, but a state of mind. It is formulated into
no dogmas, but, in so far as it is communicable, it is conveyed, or
sought to be conveyed, by symbols. These symbols to a sceptical or an
unsympathetic person will say nothing, but the presumption among those
who are inclined towards the cult is that if these symbols convey
anything at all, that thing is mysticism. The mystics are right. The
familiar phrases, terms, and symbols of mysticism are not meaningless,
and a glance at them shows that they do tend to express and evoke a
somewhat definite psychic condition.

There is a certain mood of mind experienced by most of us in which we
feel the mystery of existence; in which our consciousness seems to
become suddenly separated from our thoughts, and we find ourselves
asking, "Who am I? What are these thoughts?" The mood is very apt to
overtake us while engaged in the commonest acts. In health it is always
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