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The Abominations of Modern Society by T. De Witt (Thomas De Witt) Talmage
page 37 of 179 (20%)
their way home to get it.

The lights in full jet hang over ten thousand evening repasts--the
parents at either end of the table, the children between. Thank God!
"who setteth the solitary in families!"

A few hours later, and all the places of amusement, good and bad, are
in full tide. Lovers of art, catalogue in hand, stroll through the
galleries and discuss the pictures. The ball-room is resplendent with
the rich apparel of those who, on either side of the white, glistening
boards, await the signal from the orchestra. The footlights of the
theatre flash up; the bell rings, and the curtain rises; and out from
the gorgeous scenery glide the actors, greeted with the vociferation
of the expectant multitudes. Concert-halls are lifted into enchantment
with the warble of one songstress, or swept out on a sea of tumultuous
feeling by the blast of brazen instruments. Drawing-rooms are filled
with all gracefulness of apparel, with all sweetness of sound, with
all splendor of manner; mirrors are catching up and multiplying the
scene, until it seems as if in infinite corridors there were garlanded
groups advancing and retreating.

The out-door air rings with laughter, and with the moving to and fro
of thousands on the great promenades. The dashing span, adrip with
the foam of the long country ride, rushes past as you halt at the
curb-stone.

Mirth, revelry, beauty, fashion, magnificence mingle in the great
metropolitan picture, until the thinking man goes home to think more
seriously, and the praying man to pray more earnestly.

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