The Brain and the Voice in Speech and Song by F. W. Mott
page 11 of 82 (13%)
page 11 of 82 (13%)
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disposal of every individual. With this introduction to the subject I will
pass on to give a detailed description of the instrument of the voice. [Footnote A: Sense of movement.] THE VOCAL INSTRUMENT A distinction is generally made in physics between sound and noise. Noise affects our tympanic membrane as an irregular succession of shocks and we are conscious of a jarring of the auditory apparatus; whereas a musical sound is smooth and pleasant because the tympanic membrane is thrown into successive periodic vibrations to which the auditory receptor (sense organ of hearing) has been attuned. To produce musical sounds, a body must vibrate with the regularity of a pendulum, but it must be capable of imparting sharper or quicker shocks to the air than the pendulum. All musical sounds, however they are produced and by whatever means they are propagated, may be distinguished by three different qualities: (1) Loudness, (2) Pitch, (3) Quality, timbre or klang, as the Germans call it. Loudness depends upon the amount of energy expended in producing the sound. If I rub a tuning-fork with a well-rosined bow, I set it in vibration by the resistance offered to the rosined hair; and if while it is vibrating I again apply the bow, thus expending more energy, the note produced is louder. Repeating the action several times, the width of excursion of the |
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