The Brain and the Voice in Speech and Song by F. W. Mott
page 37 of 82 (45%)
page 37 of 82 (45%)
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shows that if the same note be sung with different vowels the serrated
flame image in the mirror is different for each vowel, and if a more complicated form of this instrument be used (such as I show you in a picture on the screen) the overtones of the vowel sounds can be analysed. You will observe that this instrument consists of a number of resonators placed in front of a series of membranes which cover capsules, each capsule being connected with a jet of gas. [Illustration: FIG. 14 Four-sided revolving mirror Images of gas jets Resonators, with capsules connected with gas jets] [Description: FIG. 14.--König's flame manometer. The fundamental note C is sung on a vowel sound in front of the instrument; the lowest resonator is proper to that note and the air in it is thrown into corresponding periodic rhythmical vibrations, which are communicated through an intervening membrane to the gas in the capsule at the back of the resonator; but the gas is connected with the lighted jet, the flame of which is reflected in the mirror, the result being that the flame vibrates. When the mirror is made to revolve by turning the handle the reflected image shows a number of teeth corresponding to the number of vibrations produced by the note which was sung. The remaining resonators of the harmonic series with their capsules and gas-jets respond in the same manner to the overtones proper to each vowel sound when the fundamental note is sung.] Each resonator corresponds from below upwards to the harmonics of the |
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