due to the reinforcement of the fundamental tone by particular overtones,
he ought to be able to produce synthetically these vowel sounds by
combining the series of overtones with the fundamental note. This he
actually accomplished by the use of stopped organ pipes which gave sensibly
simple notes.

* * * * *

Having thus shown that the fundamental note is dependent upon the tension
of the vocal cords--the reed portion of the instrument--and the quality,
timbre, or "klang" upon the resonator, I will pass on to the formation of
syllables and words of articulate speech by the combination of vowel sounds
and consonants.

"The articulate sounds called consonants are sounds produced by the
vibrations of certain easily movable portions of the mouth and throat; and
they have a different sound according as they are accompanied by voice or
not" (Hermann).

The emission of sounds from the resonator may be modified by interruption
or constriction in three situations, at each of which added vibrations may
occur, (1) At the lips, the constriction being formed by the two lips, or
by the upper or lower lip with the lower or upper dental arch. (2) Between
the tongue and the palate, the constriction being caused by the opposition
of the tip of the tongue to the anterior portion of the hard palate or the
posterior surface of the dental arch. (3) At the fauces, the constriction
being due to approximation of the root of the tongue and the soft palate.
Consonants can only be produced in conjunction with a vowel sound,
consequently the air is thrown into sonorous waves of a complex character,
in part dependent upon the shape of the resonator for the production of the