The Brain and the Voice in Speech and Song by F. W. Mott
page 73 of 82 (89%)
page 73 of 82 (89%)
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association with that of the tongue, lips, and jaw. This is as we should
expect, for they form a part of the whole cerebral mechanism which presides over the voice in speech and song. But because the muscles of the tongue, the lower face muscles, and even the muscles of the jaw do not necessarily and always work synchronously and similarly on the two sides, there is more independence in their representation in the cerebral cortex. Consequently a destruction of this region of the brain or the fibres which proceed from it to the lower executive bulbar and spinal centres is followed by paralysis of the muscles of the opposite side. Likewise stimulation with an interrupted electric current applied to this region of the brain in monkeys by suitable electrodes produces movements of the muscles of the lips, tongue, and jaw of the opposite side only. Not so, however, stimulation of the region which presides over the movements of the muscles of the larynx, for then _both_ vocal cords are drawn together and made tense as in phonation. It is therefore not surprising if removal or destruction of this portion of the brain _on one side_ does not produce paralysis of the muscles of phonation, which, always bilaterally associated in their actions, are represented as a bilateral group in both halves of the brain. These centres may be regarded as a part of the physiological mechanism, but the brain acts as a whole in the psychic mechanism of speech and song. From these facts it appears that there is: (1) An automatic mechanism for respiration and elemental phonation (the cry) in the medulla oblongata which can act independently of the higher centres in the brain and even without them (_vide_ p. 18). (2) A cerebral conscious voluntary mechanism which controls phonation either alone or associated with articulation. The opening of the glottis by contraction of the abductor (posterior ring-pyramid muscles) is especially associated with descent of the diaphragm in inspiration in ordinary breathing; whereas the voluntary breathing in singing is associated with contraction of the adductor and tensor muscles of the vocal cords. |
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