Henry Naegely (published in England), and is critical rather than
biographical in purport. It is a sympathetic appreciation of Millet's
art and character, and grows out of a careful study of the painter's
works and an intimate connection with the Millet family.

Besides these books devoted exclusively to the subject, the life work
of Millet is admirably sketched in brief form in the following more
general works:--

Richard Muther's "History of Modern Painting," Mrs. Stranahan's
"History of French Painting," Rose G. Kingsley's "History of French
Art," and D.C. Thomson's "Barbizon School."

Of great importance to the student of Millet are the various articles
contributed to the magazines by those who knew and understood the
painter. The following are of special note: By Edward W. Wheelwright,
in "The Atlantic Monthly," September, 1876; by Wyatt Eaton, in the
"Century," May, 1889; by T.H. Bartlett, in "Scribner's," May and June,
1890; by Pierre Millet, in "Century," January, 1893, and April, 1894;
and by Will Low, in "McClure's," May, 1896. Julia Cartwright, in the
preface to the above mentioned biography, mentions other magazine
articles not so generally accessible.




III. HISTORICAL DIRECTORY OF THE PICTURES OF THIS COLLECTION


_Portrait frontispiece_, a life-size crayon made by Millet in 1847