separately in the tasks peculiar to each, and working together in the
labors shared between them. There are in addition a few pictures of
child life.

The selections include a study of the field, the dooryard, and
the home interior, and range from the happiest to the most sombre
subjects. They show also considerable variety in artistic motive and
composition, and taken together fairly represent the scope of Millet's
work.

ESTELLE M. HURLL. NEW BEDFORD, MASS. March, 1900.




CONTENTS AND LIST OF PICTURES


PORTRAIT OF MILLET. DRAWN BY HIMSELF

INTRODUCTION

I. ON MILLET'S CHARACTER AS AN ARTIST

II. ON BOOKS OF REFERENCE

III. HISTORICAL DIRECTORY OF THE PICTURES OF THIS COLLECTION

IV. OUTLINE TABLE OF THE PRINCIPAL EVENTS IN MILLET'S LIFE