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Jean Francois Millet by Estelle M. (Estelle May) Hurll
page 24 of 75 (32%)
companion, and there are few moments when her hands are idle.

The little girl in our picture is still a beginner in the art, and the
lesson is a very exciting occasion to her. Already she feels like a
woman.

The mother and daughter have their chairs by the window to get a good
light on the work. It is a large and beautiful casement window, of the
kind almost universal in France, opening lengthwise in the middle in
two parts which swing on hinges like doors. The window seat serves as
a table, to hold the basket and scissors. The doll is thrust into the
corner; our little girl has "put away childish things"--at least for
the moment,--and takes her task very seriously.

The two chairs are drawn close together, the one a small counterpart
of the other. The child braces her feet firmly on one of the rounds
and bends her whole mind to her work. Both mother and daughter wear
close white caps, though the little girl's is of a more childish
pattern and does not cover her pretty hair in front.

The mother has been sewing on some large garment which lies across
her lap. She lets the little girl work by herself for a time, and then
stops to set her right. Already a considerable length of stocking
has been made, but this is a place where close attention is needed.
Perhaps it is time to begin shaping the heel. The mother's work
is left altogether for a moment. Putting her arm about the child's
shoulder, she takes the two little hands in hers, and guides the
fingers holding the needles.

We get some idea of the quaint style of the building from this glimpse
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