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Jean Francois Millet by Estelle M. (Estelle May) Hurll
page 40 of 75 (53%)
[Footnote 1: In _Modern Painters_ in the chapter on "Infinity."]




VII

THE ANGELUS


The early twilight of autumn has overtaken two peasants at the close
of a day's work in the field. They are gathering the potato harvest.
The dried plants are first pulled up, and the potatoes carefully dug
out of the holes. Then the vegetables are taken from the furrows by
the basketful, and poured into brown linen sacks to be carried home
on the wheelbarrow. One of these sacks is not yet quite full, and the
work has been prolonged after sunset.

The field is a long way from the village, but in the still air sounds
are carried far across the plain. Suddenly the bell of the village
church peals forth. The man stops digging and plunges his fork into
the earth, and the woman hastily rises from her stooping posture. The
Angelus bell is ringing, and it calls them to prayer.

Three times each day, at sunrise, midday, and sunset, this bell
reminds the world of the birth of Jesus Christ. The strokes are rung
in three groups, corresponding to the three parts of The Angelus,
which are recited in turn. The first word gives the bell its
name,--Angelus, the Latin for angel.

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