a post office, a blacksmith's shop, a police station, a branch bank,
and a dozen private weatherboard boxes on piles, with galvanized-iron tops,
besides the humpies. There was a paper there, too,
called the `Redclay Advertiser' (with which was incorporated
the `Geebung Chronicle'), and a Roman Catholic church, a Church of England,
and a Wesleyan chapel. Now you see more of private life
in the house-painting line than in any other -- bar plumbing and gasfitting;
but I'll tell you about my house-painting experiences some other time.

"There was a young chap named Jack Drew editing the `Advertiser' then.
He belonged to the district, but had been sent to Sydney to a grammar school
when he was a boy. He was between twenty-five and thirty;
had knocked round a good deal, and gone the pace in Sydney.
He got on as a boy reporter on one of the big dailies;
he had brains and could write rings round a good many,
but he got in with a crowd that called themselves `Bohemians',
and the drink got a hold on him. The paper stuck to him as long as it could
(for the sake of his brains), but they had to sack him at last.

"He went out back, as most of them do, to try and work out their salvation,
and knocked round amongst the sheds. He `picked up' in one shed
where I was shearing, and we carried swags together for a couple of months.
Then he went back to the Lachlan side, and prospected amongst
the old fields round there with his elder brother Tom,
who was all there was left of his family. Tom, by the way,
broke his heart digging Jack out of a cave in a drive they were working,
and died a few minutes after the rescue.* But that's another yarn.
Jack Drew had a bad spree after that; then he went to Sydney again,
got on his old paper, went to the dogs, and a Parliamentary push
that owned some city fly-blisters and country papers