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Punch, or the London Charivari, Volume 100, March 14, 1891 by Various
page 21 of 48 (43%)

As a theatre-goer for more than a quarter of a century, I dislike
undue severity, and am consequently glad to find my opinion is
shared by others. "SCRUTATOR," the Dramatic Critic of _Truth_, wrote
last week--"The few independent persons who have sat out a play by
IBSEN, be it _The Doll's House_, or _The Pillars of Society_, or
_Rosmershölm_, have said to themselves. 'Put this stuff before the
playgoing public, risk it at an evening theatre, remove your _claque_,
exhaust your attendance of the socialist and the sexless, and then see
where your IBSEN will be.' I have never known an audience that cared
to pay to be bored, and the over-vaunted _Rosmershölm_ bored even the
Ibsenites." I only hope it did, for they deserve their martyrdom!
I believe that you personally, my dear Editor, have never seen a
dramatic performance of the "Master's" work. I wish I could say as
much, and I shall be surprised if you do not appreciate the feeling,
after you too have partaken of this truly Lenten fare. Yours
sincerely,

ONE WHO LIKES IBSEN--AT A DISTANCE.

* * * * *

STRIKING TIMES.

NEW VERSION OF AN OLD STREET BALLAD.

(_BY A LABOURING ELECTOR._)

Cheer up, cheer up, you sons of toil, and listen to my song.
The times should much amuse you; you are up, and going strong.
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