Sermons to the Natural Man by William G. T. (William Greenough Thayer) Shedd
page 56 of 329 (17%)
page 56 of 329 (17%)
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sin has been distinctly detected, keenly felt, and heartily confessed, in
comparison with that large amount of sin which he knows he must have committed, during this long period of incessant action of mind, heart, and limbs, he finds no repose for his misgivings with respect to the filial examination and account, except by enveloping himself yet more entirely in the ample folds of his Redeemer's righteousness; except by hiding himself yet more profoundly in the cleft of that Rock of Ages which protects the chief of sinners from the unsufferable splendors and terrors of the Divine glory and holiness as it passes by. Even the Christian knows that he must have committed many sins in thoughtless moments and hours,--many sins of which he was not deliberately thinking at the time of their commission,--and must pray with David, "Cleanse thou me from secret faults." The functions and operations of memory evince that such is the case. Are we not sometimes, in our serious hours when memory is busy, convinced of sins which, at the time of their commission, were wholly unaccompanied with a sense of their sinfulness? The act in this instance was performed blindly, without self-inspection, and therefore without self-conviction. Ten years, we will say, have intervened,--years of new activity, and immensely varied experiences. And now the magic power of recollection sets us back, once more, at that point of responsible action, and bids do what we did not do at the time,--analyze our performance and feel consciously guilty, experience the first sensation of remorse, for what we did ten years ago. Have we not, sometimes, been vividly reminded that upon such an occasion, and at such a time, we were angry, or proud, but at the time when the emotion was swelling our veins were not filled with, that clear and painful sense of its turpitude which now attends the recollection of it? The re-exhibition of an action in memory, as in a mirror, is often accompanied with a distinct apprehension of its moral character that formed no part of the experience of the agent while absorbed in the hot and hasty original |
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