The Wild Olive by Basil King
page 28 of 353 (07%)
page 28 of 353 (07%)
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then more voyageurs with their canoes; then more Indians and wigwams It
occurred to Ford that the nuns might have been painted from life, the voyageurs and Indians from imagination He turned to the two framed drawings on the chimney-piece Both represented winter scenes. In the one a sturdy voyageur was conveying his wife and small personal belongings across the frozen snow on a sled drawn by a team of dogs. In the other a woman, apparently the same woman as in the preceding sketch, had fallen in the midst of a blinding storm, while a tall man of European aspect--decidedly not the voyageur--was standing beside her with a baby in his arms. These were clearly fancy pictures, and, so it seemed to Ford, the work of one who was trying to recapture some almost forgotten memory. In any case he was too deeply engrossed by his own situation to dwell on them further. He wheeled round again toward the centre of the room, impatiently casting about him for something to eat. The tin box, from which he had devoured all the biscuits, lay empty on the floor, but he picked it up and ate hungrily the few crumbs sticking in its corners. He ransacked the small dark room in the hope of finding more, but vainly. As far as he could see, the cabin had never been used for the purpose it was meant to serve, nor ever occupied for more than a few hours at a time. It had probably been built in a caprice that had passed with its completion. He guessed something from the fact that there was no visible attempt to sketch the scene before the door, though the site had evidently been chosen for its beauty. He had nothing by which to measure time, but he knew that precious hours which he might have utilized for escape were passing. He began to chafe at the delay. With the impulse of youth to be active, he longed to be out, where he could at least use his feet. His clothes had dried upon him; in |
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