which it belongs. It was to it that Cranmer was brought to receive
the Pope's sentence of condemnation, and in the cloisters the
ceremony of his degradation from the archbishopric was carried out.
Almost a century later the Cathedral was the centre of the religious
life of the Royalist party; when Charles I made his capital in Oxford
and his home in Christ Church, and when the Cavaliers fought to the
war-cry of "Church and King." It is not surprising that, when the
Parliamentarians entered Oxford, the windows of the Cathedral were
much "abused"; that so much old glass was spared was probably due to
the local patriotism of old Oxford men.

In the next century it was to Christ Church that Bishop Berkeley, the
greatest of British philosophers, retired to end his days, and to
find a burial-place; and, during the long life of Dr. Pusey, the
Cathedral of Oxford was a place of pilgrimage, as the living centre
of the Oxford movement.

In the back of the picture (Plate XVII), behind the Cathedral, rises
the square tower, put up by Mr. Bodley to contain the famous Christ
Church peal of bells (now twelve in number), familiar through Dean
Aldrich's famous round, "Hark, the bonny Christ Church bells." When
the tower was erected, it was the subject of much criticism,
especially from the witty pen of C. L. Dodgson, the world-famous
creator of /Alice in Wonderland/. The opening paragraph is a fair
specimen:
"Of the etymological significance of the new belfry, Christ
Church.
"The word 'belfry' is derived from the French '/bel/-- beautiful,
meet,' and from the German '/frei/--free, unfettered, safe.' Thus the
word is strictly equivalent to 'meat-safe,' to which the new belfry