Twenty Years at Hull House; with autobiographical notes by Jane Addams
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page 16 of 369 (04%)
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backs of my hands the tiny purple and red spots which are always
found on the hands of the miller who dresses millstones. The marks on my father's hands had grown faint, but were quite visible when looked for, and seemed to me so desirable that they must be procured at all costs. Even when playing in our house or yard, I could always tell when the millstones were being dressed, because the rumbling of the mill then stopped, and there were few pleasures I would not instantly forego, rushing at once to the mill, that I might spread out my hands near the mill-stones in the hope that the little hard flints flying form the miller's chisel would light upon their backs and make the longed-for marks. I used hotly to accuse the German miller, my dear friend Ferdinand, "of trying not to hit my hands," but he scornfully replied that he could not hit them if he did try, and that they were too little to be of use in a mill anyway. Although I hated his teasing, I never had the courage to confess my real purpose. This sincere tribute of imitation, which affection offers to its adored object, had later, I hope, subtler manifestations, but certainly these first ones were altogether genuine. In this case, too, I doubtless contributed my share to that stream of admiration which our generation so generously poured forth for the self-made man. I was consumed by a wistful desire to apprehend the hardships of my father's earlier life in that faraway time when he had been a miller's apprentice. I knew that he still woke up punctually at three o'clock because for so many years he had taken his turn at the mill in the early morning, and if by chance I awoke at the same hour, as curiously enough I often did, I imagined him in the early dawn in my uncle's old mill reading through the entire village library, book after book, |
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