The mother did not dream of the sting her words left and that the
sensitive girl appreciated only too well that her opportunities
were fine and unusual, but she also knew that in spite of some
facility and much good teaching she had no genuine talent and
never would fulfill the expectations of her friends. She looked
back upon her mother's girlhood with positive envy because it was
so full of happy industry and extenuating obstacles, with
undisturbed opportunity to believe that her talents were unusual.
The girl looked wistfully at her mother, but had not the courage
to cry out what was in her heart: "I might believe I had unusual
talent if I did not know what good music was; I might enjoy half
an hour's practice a day if I were busy and happy the rest of the
time. You do not know what life means when all the difficulties
are removed! I am simply smothered and sickened with advantages.
It is like eating a sweet dessert the first thing in the morning."

This, then, was the difficulty, this sweet dessert in the morning
and the assumption that the sheltered, educated girl has nothing
to do with the bitter poverty and the social maladjustment which
is all about her, and which, after all, cannot be concealed, for
it breaks through poetry and literature in a burning tide which
overwhelms her; it peers at her in the form of heavy-laden market
women and underpaid street laborers, gibing her with a sense of
her uselessness.

I recall one snowy morning in Saxe-Coburg, looking from the window
of our little hotel upon the town square, that we saw crossing and
recrossing it a single file of women with semicircular, heavy,
wooden tanks fastened upon their backs. They were carrying in this
primitive fashion to a remote cooling room these tanks filled with