Twenty Years at Hull House; with autobiographical notes by Jane Addams
page 69 of 369 (18%)
page 69 of 369 (18%)
![]() | ![]() |
|
believed that his canvases intimated the coming religious and
social changes of the Reformation and the peasants' wars, that they were surcharged with pity for the downtrodden, that his sad knights, gravely standing guard, were longing to avert that shedding of blood which is sure to occur when men forget how complicated life is and insist upon reducing it to logical dogmas. The largest sum of money that I ever ventured to spend in Europe was for an engraving of his "St. Hubert," the background of which was said to be from an original Durer plate. There is little doubt, I am afraid, that the background as well as the figures "were put in at a later date," but the purchase at least registered the high-water mark of my enthusiasm. The wonder and beauty of Italy later brought healing and some relief to the paralyzing sense of the futility of all artistic and intellectual effort when disconnected from the ultimate test of the conduct it inspired. The serene and soothing touch of history also aroused old enthusiasms, although some of their manifestations were such as one smiles over more easily in retrospection than at the moment. I fancy that it was no smiling matter to several people in our party, whom I induced to walk for three miles in the hot sunshine beating down upon the Roman Campagna, that we might enter the Eternal City on foot through the Porta del Popolo, as pilgrims had done for centuries. To be sure, we had really entered Rome the night before, but the railroad station and the hotel might have been anywhere else, and we had been driven beyond the walls after breakfast and stranded at the very spot where the pilgrims always said "Ecco Roma," as they caught the first glimpse of St. Peter's dome. This |
|