Beethoven's Letters 1790-1826, Volume 2 by Ludwig van Beethoven
page 97 of 297 (32%)
page 97 of 297 (32%)
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occupied, and I have also been extremely unwell for the last five months. I
now only reply to the principal points. Although I met Steiner by chance a few days ago, and asked him jestingly what he had brought me from Leipzig, he did not make _the smallest_ allusion to _your commission or to yourself_. He urged me, however, in the very strongest manner, to _pledge myself to give him the exclusive right of publishing all my works, both present and future_,--and indeed to _sign a contract to that effect_,--which I declined. This _trait_ sufficiently proves to you why I often give the preference to other publishers both home and foreign. I love uprightness and integrity, and am of opinion that no one should drive a hard bargain with artists, for, alas! however brilliant the exterior of Fame may appear, an artist does not enjoy the privilege of being the daily guest of Jupiter on Olympus; unhappily commonplace humanity only too often unpleasantly drags him down from these pure ethereal heights. The _greatest_ work I have hitherto written is a _Grand Mass_ with Choruses, and four _obbligati_ voice parts, and full orchestra. Several persons have applied to me for this work, and I have been offered 100 Louis d'or, hard cash, for it; but I demand at least 1000 florins C.M. [20 florins to the mark], for which sum I will also furnish a pianoforte arrangement. Variations on a waltz [Diabelli's] for the piano (they are numerous), 30 ducats in gold,--N.B. Vienna ducats. With regard to songs, I have several rather important descriptive ones: as, for example, a comic Aria, with full orchestra, on Goethe's text, "Mit Mädeln sich vertragen;" and another Aria, in the same style, 16 ducats each (furnishing also a pianoforte arrangement if required); also several descriptive songs, with pianoforte accompaniment, 12 ducats each; among these is a little Italian Cantata, with Recitative; there is also a Song with recitative among the German ones. A Song with pianoforte accompaniment, 8 ducats. An Elegy, four voices, with the accompaniment of _two violins, viola, and violoncello_, 24 |
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