The Gibson Upright by Booth Tarkington
page 43 of 105 (40%)
page 43 of 105 (40%)
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abolish the whistle? That whistle hurt self-respect. Really I'm sorry
it's Sunday and I can't take you over there this minute to see the great changes. Talk about collectivism! That factory is the most interesting place in the world to-day. When the men were working eight long hours a day under a master it was all repression, reserve; their individualities were stifled. Now they expand! GIBSON: You mean they talk a good deal? MIFFLIN: I never have been in a place where there was so much talk in my life. They talk all the time; it shows they are thinking. GIBSON: Isn't it noisy? MIFFLIN [_delighted_]: It is! Every man has his own ideas and he expresses them. It means a freshness and originality in the work that never got into it before. GIBSON [_worried_]: Originality? You don't mean to say they've changed any of the features of The Gibson Upright. MIFFLIN: Oh, no; it's the same piano--and yet different! I almost feel I could tell the difference by looking at one. There's no change; yet now it has character. And those men--those men, Mr. Gibson--it's brought out _their_ character so! They're thinking all the time. GIBSON: They're working, too, of course? MIFFLIN: Working! You never saw men work under the old capitalistic régime, Mr. Gibson! Don't think that this work is the driven, dogged |
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