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Stage Confidences by Clara Morris
page 102 of 169 (60%)



_CHAPTER XVI

THE ACTRESS AND RELIGION_


Nothing in my autobiography seems to have aroused so much comment, so
much surprise, as my admission that I prayed in moments of great
distress or anxiety, even when in the theatre.

One man writes that he never knew before that there was such a thing as
a "praying actress." Poor fellow, one can't help feeling there's lots of
other things he doesn't know; and though I wish to break the news as
gently as possible, I have to inform him that I am not a _rara avis_,
that many actresses pray; indeed, the woods are full of us, so to
speak.

One very old gentleman finds this habit of prayer "commendable and
sweet," but generally there seems to be a feeling of amazement that I
should dare, as it were, to bring the profession of acting to the
attention of our Lord; and yet we are authorized to pray, "Direct us, O
Lord, in _all our doings_, and further us with thy continual help, that
in all our work we may glorify thy holy name."

It is not the work, but the motive, the spirit that actuates the work;
whether embroidering stoles, sawing wood, washing dishes, or acting, if
it is done honestly, for the glory of the holy name, why may one not
pray for divine help?
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