Stage Confidences by Clara Morris
page 87 of 169 (51%)
page 87 of 169 (51%)
![]() | ![]() |
|
_CHAPTER XIV
THE MASHER, AND WHY HE EXISTS_ Thousands of persons who do not themselves use slang understand and even appreciate it. The American brand is generally pithy, compact, and expressive, and not always vulgar. Slang is at its worst in contemptuous epithets, and of those the one that is lowest and most offensive seems likely to become a permanent, recognized addition to the language. No more vulgar term exists than "masher," and it is a distinct comfort to find Webster ascribing the origin of the word to England's reckless fun-maker,--_Punch_. Beaux, bucks, lady-killers, Johnnies,--all these terms have been applied at different periods to the self-proclaimed fascinator of women, and to-day we will use some one, any of them, rather than that abomination,--masher. Nor am I "puttin' on scallops and frills," as the boys say. I know a good thing when I hear it, as when a very much overdressed woman entered a car, and its first sudden jerk broke her gorgeous parasol, while its second flung her into the arms of the ugliest, fattest man present and whirled her pocket-book out of the window, I knew that the voice of conviction that slowly said, "Well, she is up against it," slangily expressed the unfortunate woman's exact predicament. Oh, no, I'm not "puttin' on frills," I am only objecting with all my might and main to a term, as well as to the contemptible creature indicated by it,--masher. In a certain school, long ago, there was a very gentle, tender-hearted teacher, who was also the comforter and peacemaker of her flock. |
|