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Stage Confidences by Clara Morris
page 87 of 169 (51%)
_CHAPTER XIV

THE MASHER, AND WHY HE EXISTS_


Thousands of persons who do not themselves use slang understand and even
appreciate it. The American brand is generally pithy, compact, and
expressive, and not always vulgar. Slang is at its worst in contemptuous
epithets, and of those the one that is lowest and most offensive seems
likely to become a permanent, recognized addition to the language. No
more vulgar term exists than "masher," and it is a distinct comfort to
find Webster ascribing the origin of the word to England's reckless
fun-maker,--_Punch_.

Beaux, bucks, lady-killers, Johnnies,--all these terms have been applied
at different periods to the self-proclaimed fascinator of women, and
to-day we will use some one, any of them, rather than that
abomination,--masher. Nor am I "puttin' on scallops and frills," as the
boys say. I know a good thing when I hear it, as when a very much
overdressed woman entered a car, and its first sudden jerk broke her
gorgeous parasol, while its second flung her into the arms of the
ugliest, fattest man present and whirled her pocket-book out of the
window, I knew that the voice of conviction that slowly said, "Well, she
is up against it," slangily expressed the unfortunate woman's exact
predicament. Oh, no, I'm not "puttin' on frills," I am only objecting
with all my might and main to a term, as well as to the contemptible
creature indicated by it,--masher.

In a certain school, long ago, there was a very gentle, tender-hearted
teacher, who was also the comforter and peacemaker of her flock.
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