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Stage Confidences by Clara Morris
page 9 of 169 (05%)
these women bestow their adulation and delicate flattery upon the
manager, he is not likely to disturb the modest and retiring newcomer in
his company by unwelcome attentions. And should the young stranger prove
earnest and bright, she would be doubly safe; for then she would have
for the manager a commercial value, and he would be the last man to hurt
or anger her by a too warmly expressed admiration, and so drive her into
another theatre, taking all her possible future popularity and drawing
power with her.

One other and better word I wish to add. If the unprotected young
beginner finds herself the victim of some odious creature's persistent
advances, letters, etc., let her not fret and weep and worry, but let
her go quietly to her manager and lay her trouble before him, and, my
word for it, he will find a way of freeing her from her tormentor. Yes,
the manager is, generally speaking, a kindly, cheery, sharp business
man, and no Moloch at all.

As for the "public," no self-respecting girl need be in danger from the
"public." Admiring young rakes no longer have coaches waiting round the
corner, into which they thrust their favourite actress as she leaves the
theatre. If a man sends an actress extravagant letters or flowers,
anonymously, she can of course do nothing, but equally of course she
will not wear his flowers and so encourage him boldly to step up and
speak to her some day. If the gentleman sends her jewellery or valuable
gifts of any kind, rest assured his name will accompany the offering;
then the actress has but one thing to do, send the object back at once.
If the infatuated one is a gentleman and worthy of her notice, he will
surely find a perfectly correct and honourable way of making her
acquaintance, otherwise she is well rid of him. No, I see no danger
threatening a young actress from the "public."
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